7/23/2023 0 Comments Chris cornell songbook wikiRon Taylor - Pro Tools editing, additional recording.Chris Godbey - Pro Tools editing, additional recording, mixing ( 5).Demo Castellon - mixing, recording, co-executive producer, mixing ( 5, 10, 12).Timbaland - production (all songs), executive producer.Jason Sutter - additional live drums ( 12).Peter Thorn - additional guitars ( 10, 12).Ezekiel Lewis - additional background vocals ( 1, 2, 8).Ryan Tedder - additional background vocals ( 6).Amar - additional background vocals ( 7).Justin Timberlake - additional background vocals ( 7).Darryl Pearson - additional live bass ( 1, 13), additional live bass, guitars and background vocals ( 8).Lee Levin - additional live drums ( 6, 8).Demo Castellon - additional programming.Que" SmithĬornell, Harmon, Mosley, Lewis, Muhammad, Ryan Tedder, King Logan Ĭhris Cornell, Jerome Harmon, Timothy Mosley, Ezekiel Lewis, Balewa Muhammadīacking Vocals: Ezekiel Lewis and Jim BeanzĬornell, Harmon, Mosley, James Washington, Lewis, MuhammadĬornell, Harmon, Mosley, Washington, Justin Timberlakeīacking Vocals: Justin Timberlake and Jim BeanzĬornell, Harmon, Mosley, Lewis, Muhammad, Patrick "J. Songwriters for the bonus tracks can be found in the ASCAP database. Songwriter credits adapted from the liner notes of the album. Reznor regretted his comments, writing an apology email to Cornell when both Nine Inch Nails and Soundgarden announced a co-headlining tour. Nine Inch Nails creator Trent Reznor attacked the album, suggesting on Twitter that Cornell had "embarrass(ed)" himself. Among the negative reviews, Allmusic wrote that " Scream is one of those rare big-budget disasters, an exercise in misguided ambition that makes no sense outside of pure theory." Other times it's bad bizarre." Rolling Stone wrote that Scream "veers between drab–sleek and rock–dude soulful Cornell's yowl never sounds at home". The mixed reviews were more prevalent, with Spin stating the album was "strangely appealing in its elaborately empty efficiency", while Billboard noted that "sometimes it's good bizarre. Scream received positive reviews from Entertainment Weekly and Hot Press who felt that the collaboration between producer Timbaland and Chris Cornell worked. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 42, based on 19 reviews. Initial critical response towards the release was mixed to negative. The next week it dropped 55 places to number 65, which was the largest second-week drop for a top 10-debuting album in two and a half years. In the U.S, the album debuted at number 10 on the Billboard 200 and thus became Cornell's first top 10 solo album. Reception Professional ratings Review scores It was more, he would bring in a beat, an idea, I would write to it and sing it, and we would move on kind of to the next thing." ĭescribing the album as a whole, Cornell compared it to Pink Floyd's The Dark Side of the Moon and Queen's A Night at the Opera, citing the psychedelic elements that Timbaland brought into the production. Despite the controversy caused by teaming up with Timbaland, Cornell insisted that he still played an integral part of the album's creation and didn't do what " Timbaland told me to do," further noting that they "didn't really have that relationship" and "it wasn't that type of a process. ![]() Musical style īillboard reported that Scream shows Cornell moving "in a much more pop-oriented direction, with busy drum machine beats, buffed-up chorus vocals and string samples filling the nooks and crannies", comparing it to Gnarls Barkley and less that of "the guitar-driven music of Cornell's past with Soundgarden and Audioslave". However, the collaboration evolved into the duo writing and recording an entire album in just six weeks, notably with the conceptual direction of "tying it all together musically", which Cornell describes as " back to albums that I listened to when I was a kid, where the music never stops" and that it "begs to be listened to on headphones all the way through". With the idea of remixing songs from his previous album Carry On (2007), Cornell first came into contact with Timbaland. The album debuted in the U.S at number 10 on the Billboard 200 with 26,000 copies sold. ![]() The album was promoted with the release of five digital singles and three music videos, and was met with mostly negative reviews. Guitar and rock elements were largely excluded, replaced with producer Timbaland's electronic pop soundscapes. ![]() Released on March 10, 2009, through Suretone Records and Mosley Music Group, it marked a shift from Cornell's previous musical efforts. Scream is the third solo studio album by American musician Chris Cornell.
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